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Orographic

by Oceanallover

/
1.
Aquila 03:58
2.
Gust 04:38
Gust Something like a chicken with out the egg laying cackle a crack-faced hag spritzered the night sky where it hung and wafted in a still breeze. Night drawn in with a sharpie twist scraping all demonic down the nail board in bestest hand to sincerely wish a twisted miss taken day dream that should have been dreamed in the dark don’t or do makes little differential paranoidal flight zigged the jack doors home tonight to clasp with earnest toes branches flapped by gustworthy northerly, merciless air. Tonight’s a stormer, inside and out I’ll lay low so the nitrous fists miss and hit in stead the next hill side race up and over, on and across I’m no eagle, more a spent hare’s pelt beaten empty and tanned, draped upon a heather high my thoughts laid bare.
3.
Flower 04:11
Flower there is never a right time but always machinations unstable slopes and schisms so soliflucted I could slide right down, right now but no, not I I am alone, not petrified I’ll grow from granite blocks and push my flower stamen high with growth that overwhelms by drinking from the sun I live this time of day with momentary complications petalic hopes and all all that is green shall be brown the mixing and the fermentation fruitful endeavour, intoxication desires both rooted and confused here’s to the insects drink to them my pollen thick upon their wings.
4.
Tortoise 03:02
Tortoise To go up is to cool down and up is where I am, cold blooded last up on the mountain lizard in defence, a reptile’s end I’ll eat the very stones beneath scaled feet that have ascended and discovered our most treasured bloom sweet lilac rosette I place my beaked jaws to en-cave you press against my soft palette with horny and most loving tongue your procreative offering and drink the nectar there lizard in defensibilities most wanting most scarce To go up and never down.
5.
Eagle 02:18
Eagle From here dimensions open and three is only a number talons smooth and terminal to fall in aero-dive writhe in beating winds my pantaloon feathers bent and stretched both both arms where foiled fingers run through air’s hairs diving faster now in purpose didactic to pluck from the earth that parcelled quarry and carry on high on high invest with kinetic heat forceful and vital this bomb of flesh opened now to high southern slopes a rocky byre his self, my self one is a number to see an otherness from however high or far I fly.
6.
Man 01:19
Man Cracked my head, in single strike as I ran forward in earnest haste to collect my prized, beloved bird shot clean through and through to find its ordered home amongst museum draws and taxiderma tologists contortioning your dark and burning eyes become vitrified and shattered my cranium in blow un seen as from the sky a lilac flower fell, my leaden body sliding to the ground in avalanche of crushed ambitions here, upon a scree slope inverted hopes discovery and erudition science through observation keen, the bullet of my eyes
7.
Out 05:40
Way The figure stepped forward into a ladder of sunlight. Below precipital shoulders a wild and pathless forest grew with a darkened cleft or ravine at the North and South faces, filled with swift water. Seen at a distance, harsh lines in pinnacular form lifted above shoulders white with ice - three triangular massifs, the central piece being the tallest. Stepping across the landscape the air around it was meteorological and thick with a quad of ravens suspended or pinned in indigo blue air. Above its knees where the hem of a faded cloak was frayed like mown hay and small animals waited in hedged lines, there was a door. The door from story, the way in or through or down to where a deity might reside, or perhaps a worm. As the figure passed out of the sun’s charity and into the depths of shade, at that moment before it could no longer be seen, the door opened. In And I ran to where I had seen the opening, or at least to where I thought it had been and ran on for many minutes for the the figure of the mountain had appeared so close. But the figure had been enormous and the distances vast; I ran on for more than a day, but still felt no closer. Perspectives shifted, unfolding in front and engulfing to the rear, swallowing my receding shadow; long where it had once been short, until I too passed out of the sun’s charity and was the poorer for it. I knelt in a bank of tussock, sinking between the grass heads. Turning to look back I imagined myself out across the plain and gazing this way, leaning forward to gain sight of the giant figure, catching my breath at what I took to be a door. And here a ladder of reflected light on my face, sent this way by a dark peaty pool ricochetting the final waves. Behind me a flat wall of stone, grey granite block, and my new shadow a momentary body in sharp outline upon its surface, hovering for a moment and becoming intense, a violet-black opening, a way in, I spin about while the sun breathes out and dive hands first into the tunnel. Side I saw it from some way off and it was clear that nothing of me or mine could ever be so massive, so massed and dense so cracked, worn smashed. Where the land rose out from black water I looked but it did not return my gaze, I walked and it remained. My legs hurt with effort, pushing the living over the crystalline, across lignified remains and volcanic vomit, pressed sand and crustaceans, mineralities, this can only be the smallest gesture, my ascent and lying down. Universe! I shout up to the openness above as, for a moment, I become the conductor for a flash of energy rising out from the mountain head and crackling upwards and away. My own body quaking in an ecstasy of clarity. Out I’ll take a story from you, hillside; I’ll make make something from you, something deep like a door in your foot, a way in. There will be singing, voices raised and the gravity of mysteries that erupt as small flowers around your shoulders. We will go up with our eyes over and over again until we live inside the land in our minds. You will wear clouds on cold days around your neck and press your head into the blue-black void.
8.
9.
Gust * 01:33
10.
Way * 01:17
11.
In * 01:55
12.
Side * 01:26
13.
Guiding * 02:00
Guiding What am I that walks with surety in step with all? A moment only where balanced or opposing swing caught the mid day light in plain sight, beside my friend whose step is mine, our coat skirts blown out towards the East a synchronistic chime to disturb the very air with shivers of pleasure. No certainty exists and surety, a Fata Morgana. Steps are there to be taken and we do invite - you are most welcome! Walk as if with surety in the knowledge that your adventure is your own, beside your friend, whose stride matches your own, who looks across the path and out beyond this frame of mind, out from behind the lenses of your eyes, the optical correctors, lookers, leading or being lead, the foot falls to earth just the same, this path has no belonging and makes no promises.
14.
Flower * 04:08
15.
Tortoise * 02:00
16.
Eagle * 01:36
17.
Man * 01:30
18.
Out * 03:00

about

Orographic is a performance project responding to landscapes, both interior and exterior. It was devised by Oceanallover, designed and directed by Alex Rigg, with creative contributions from all of the cast members: 

Music

Joey Sanderson
Breezy Elthalion
Guy Veale
Richie Merchant
Catherine Carter
Anders Rigg
Roger Marsh
Ross McCrae
Peter Tagg

Choreography

Laini Chrismas
Lewis Sherlock
Jen Farmer
Philip Alexander MacDonald
Dylan Read

credits

released September 16, 2018

Recorded, mixed & mastered by Stuart Hamilton
(Castlesound Studios, 12th-14th September 2018)

Produced by Guy Veale 

© Oceanallover 2018

Lead vocals - Joel Sanderson, Breezy Elthalion & Catherine Carter
Bass & cello - Joel Sanderson 
Trumpet, helicon & backing vocals - Richard Merchant 

Trombone & backing vocals - Roger Marsh
Bass trombone & backing vocals - Ross McCrae
Percussion & backing vocals - Anders Rigg 

Spoken word - Alex Rigg

Electronics & keys - Guy Veale 

Lyrics & album design - Alex Rigg 

Track 1 by Catherine Carter, Breezy Elthalion, Ross McCrae, Roger Marsh, Richard Merchant, Anders Rigg & Joel Sanderson
Track 2 by Breezy Elthalion, Roger Marsh & Joel Sanderson 
Track 3 by Breezy Elthalion 
Track 4 by Richard Merchant & Joel Sanderson
Track 5 by Breezy Elthalion & Richard Merchant
Track 6 by Joel Sanderson
Track 7 by Catherine Carter
Tracks 8-18 by Guy Veale

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all rights reserved

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Oceanallover Scotland, UK

Oceanallover are a dance, design and theatre company making original and exciting new work. We collaborate with a wide range of musicians working across many styles.

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